Being involved in a home building project right from the start has many advantages. The most important is to create a space as desired, adjusting it to the wishes of the future residents. And so this house was built, and it is a faithful reflection of what its owners wanted. Hand in hand with Interior designer Ania AzcárateThey chose the distribution, the style, the materials and even designed the garden. All decisions revolved around looking for clarity as the first leitmotif.
the There are no partitions between the different common spaces – the living room, the dining room and the kitchen. It allows the free circulation of light and connects, from different points of the plant, to the landscape. For this reason, many of the exterior walls have been replaced by windows, the light of which is filtered slightly by blinds. a screen. The desire for high gloss was constant throughout the project, as is also evident in the choice of materials: for example, the floors were chosen in light gray stained oak and the paint on the walls was in pure white.
The staircase with a light aesthetic appearance thanks to the open steps, without transom, and glass railing, starts from the entrance hall. Here, the ancient sacristy with ivory inlays has been placed on a plinth to protect it. Cowhide rug, from Zara Home.
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Partition elements have been used to delineate the different areas, such as a bookcase with a dark gray lacquered back, which visually delineates the work nook, which is fitted with Concha Bay furniture.
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The exterior is brought into the tracery by a succession of floor-to-ceiling windows, paneled with screens. Up front, an iron side table by Becara houses pieces from the owners’ African Art collection.
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The living area is closed with an armchair from the late 1960s, edited by Artifort. Its retro aesthetics have been combined with some Chinese tables, from the J70. behind, a tribal figure on a methacrylate support.
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The living room, dining room and kitchen are distributed in a common space. Next to the sofa upholstered in stone-colored linen, by Matis, is the Concha Bay studded iron table, as are the cushions made from tire wheels. Two classical statues on steel plinths help separate the areas
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Interior designer Ania Azcárate provided a few pairing pieces, such as two antique leather chairs, to bring symmetry to the decoration. This resource, which emphasizes a sense of balance and order and is always reassuring, can also err on the side of being overly strict. Compensation is provided by the floor lamps, which are very different from each other, but occupy practically the same position.
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An old kilim, from J70, marks the transition between the living room and dining room. In it, Ania Azcárate placed two Falcon chairs, a classic from the ’70s designed by Norwegian Sigurd Resell for Varne Möbler, purchased in J70. In the background, resting on the floor, is a sculpture by Diego Machimbarena, and above it, a framed antique oriental silk.
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Lacquer furniture and Corian Peninsula countertops, which house the work area and extend to the breakfast bar, contrast with Magis Bombo stools. Hardware from the company Neff.
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Regarding the color of the walls, with some highlights A dark gray painting, used in the living room on the wall that houses the fireplace And in the bookcase in the working area, an original way to separate spaces. This hue pairs perfectly with the cool industrial-themed coffee table iron and cushions made of rubber tires: a sample of how the composition and treatment of spaces focus on harmony with the main pieces of the decor. In the selection of furniture, a mixture of styles and origins was played. This way the furniture stands out classic Of Scandinavian origin – classic mid-20th century design pieces – perfectly blended with ethnic elements. This is the case for floor-wearing kilims adding color or the plethora of African tribal masks. And what about classic polychrome stone carvings on modern steel bases? Another example of the perfect blend that coexists in delicate harmony.
In a dark gray highlighted area where the headboard wall – including the door – is painted, the palette acquired in the J70 determines the tonal intensity. The coffee tables, by Jason Mobler, were also purchased in J70; The rug is at Zara Home.
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By the bed, they wear clothes from Zara Home, two china chests from Matisse, and lamps from Hanbal. The seat, designed by Kurt Ostervig in the 1950s for the Danish company Jason Mobler, is from J70.
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The gray stone console, which houses the sink, was commissioned in Cabo Bacalao. Also from this store is a ladder-style towel rail. The seat is from J70.
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Interior designer ideas: Ania Azcárate
Points of light: The lighting was solved by installing recessed spotlights in the ceiling, with the intent of creating clean spaces, without interference detracting from the outside view from any situation.
Open distribution: On the ground floor, the spaces follow one another without doors, but an effective division is created both with furniture and large sculptures, as well as with different architectural resources: free-standing partitions, exposed columns, ceiling heights, various floors.. defining and arranging visually.
Perception: Amaya Abando
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