The Chelsea Music Festival has announced the programme for its 2026 season, with organisers unveiling a week-long series of performances, visual art events and culinary experiences centred on the theme “Every Story Counts”.
The annual festival, now in its 17th year, will take place across New York City from 20 to 27 June, bringing together classical music, jazz, theatre, visual arts and food-inspired programming. Festival organisers confirmed that tickets and season passes are now on sale for the summer event, which will feature 17 New York premieres and two world premieres.
Led by Artistic Directors Melinda Lee Masur and Ken-David Masur, the 2026 edition will explore themes linked to American storytelling and cultural identity ahead of the United States’ 250th anniversary celebrations.
“This season, our theme “Every Story Counts” draws inspiration from the phrase “Every Vote Counts,” where each person’s vote is dignified and counted in a democracy. We celebrate the power of music and storytelling to preserve and elevate the voices of people from all walks of life in America,” said Festival Artistic Directors Melinda Lee Masur and Ken-David Masur.
“As we contemplate America’s 250th anniversary, we welcome the voices of composers, musicians, artists, chefs, and creators who contribute to the cultural fabric of this country and strive to elevate our shared humanity. Our hope is to continue providing a stage and safe haven for the exchange of ideas and differences, and a fertile ground for artistic collaborations between the performing, visual, and culinary arts. This season, Every Story Counts, will be an uplifting feast for the ears, eyes and palate, and a welcome place for audiences of all ages and backgrounds.”
Festival programme combines music, theatre and visual arts
Among the headline events is Copland & Twain, scheduled for 25 June, a theatrical concert directed by Bill Barclay, the former Director of Music at Shakespeare’s Globe. Produced by Concert Theatre Works, the performance combines Aaron Copland’s incidental music with the writings of Mark Twain and will feature five actors accompanied by the Festival Chamber Orchestra under the direction of Ken-David Masur.
Later in the week, Masur will also conduct Ania Vu’s Water Realms, one of several contemporary works included in the festival programme.
The Verona Quartet is set to perform at Poets House in a concert featuring MoonStrike, a work by composer Jerod Impichchaachaaha’ Tate inspired by American Indian legends. Meanwhile, pianists Min Kwon, Timo Andres and performers from Rutgers University will take part in a special piano salon centred on Kwon’s America/Beautiful project.
The initiative commissioned more than 70 composers to create new interpretations of America the Beautiful, with the programme featuring New York premieres by composers including Samuel Adler and Stewart Copeland.
Opening night on 20 June will feature mezzo-soprano Clara Osowski performing Steven Ward’s song cycle An Invitation to Love, based on poems by Paul Laurence Dunbar.
The festival will also stage the world premiere of William Susman’s Clouds and Flames on 26 June. The piece has been created to mark the 25th anniversary of the 11 September attacks and commemorates Philippe Petit’s 1974 tightrope walk between the towers of the World Trade Center.
Jazz finale and culinary events expand festival offering
The closing Jazz Finale on 27 June will feature vibraphonist Warren Wolf, pianist Alex Brown and the Ivalas Quartet performing the New York premiere of Chick Corea’s Lyric Suite for Sextet.
Alongside its music programme, the festival is continuing its focus on culinary and visual arts collaborations. Organisers confirmed that a Sunday brunch inspired by Mark Twain will be held at Pier 57’s City Winery Bistro, while Chef Hinnerk von Bargen will host an evening dedicated to international street food inspired by his book Street Foods.
Visual arts programming will include photographer Park Joon presenting selections from his book America the Beautiful: An Outsider’s Perspective. Festival visitors will also be able to view Derek Fordjour’s mural Backbreaker Double during a dedicated art walk on The High Line.
In addition, artist Paul Collins will present selected works from his Unbannable Library project during the festival’s family programming and at several locations across New York City.
The Chelsea Music Festival, previously described by The New York Times as a “gem of a series”, has increasingly positioned itself as a multidisciplinary arts platform combining live performance with visual culture and culinary experiences aimed at broadening audience engagement.
